well, originally i was going to write about the festival film i saw this evening, The Decay of Fiction – and i will, for a bit. i got there late, but it didn’t matter too much as this was one of those films that was more about visuals, mood, and art than about any particular story. if anything, it told the story of an old LA hotel which has been used for the filming of more than 1000 Hollywood films over the years, including one of my favorites, Laura.
as i was watching it, i tried to place among the other films i’ve seen over the past week and what really distinguished it was that it was true film art. you just watch the film and it is beautiful. the director speaks with the camera, not his characters and the framing, placement, angles… they are all fabulous, at least until you are distracted by the rapid “decay” of the narrative elements near the end. (but that’s part of the director’s goal during that part, i believe).
i also thought about how every movie i’ve seen thus far really reflects the director – at least in the cases where the directors have been available for comment; however, for Decay it is probably more true than for any other – and this is probably because Pat O’Niell (director) takes a more complete role (production, directing, editing) but also throws off (both deliberately and intuitively) the typical conventions of the film art medium in order to make it his own for expressing himself.
(i also just wanted to throw in that the presence the filmmakers at these screenings works so well to help us understand what they were trying to accomplish, and how they went about accomplishing it. it adds so much to the presentation that it kinda makes you wonder why you watched films any other way before. additionally, the film society runs every show so well, contributing so much value, you’ll wonder why any other time of the year you shell out the same amount for presentations by the ragtag Century and AMC folks.)
so enough about all that. i could say more, but i won’t. go see Decay of Fiction if you enjoy watching film as art and don’t mind the non-linear aspects. go see the film i saw last night, The Legend of Suriyothai if you are dying to peer into the dramas of dynastic royal Thai life or will watch any movie that Coppola puts his name behind.